Le "Graduate Music Forum" à Harvard organise une conférence d'étudiants de troisième cycle chaque année. au printemps dernier, la conférence s'intitulait music & the urban. Cette année, le comité a choisi un autre sujet attirant : Un-Music.
Il y a deux semaines, les compositeurs Bert Van Herck, Hillary Zipper et moi-même avons rencontré les organisateurs Michael Heller et Ryan Banagale pour discuter la participation de compositeurs à la conférence. Nous avons tous une grande envie de tenir une belle conférence musicale pendant laquelle nous voulons faciliter un flux naturel entre les disciplines que sont musicologie, ethnomusicologie, théorie et composition.
Êtes- vous compositeur ou compositrice ? Voici l'annonce officielle, comme elle a été récemment publiée sur le "American Composers Forum" (en anglais):
Call for Works: Un-Music, Harvard Graduate Music Forum Conference, March 7, 2009
In light of the pluralism, stylistic diversity, and incorporation of new sounds in contemporary performance, we invite you to re-examine our definition of music: what is music and what is "un-music," and where are the boundaries? Must music be written and/or played by human means? Should it be analyzable? What, if anything, differentiates sound from sound-art from music from noise?
The Harvard Graduate Music Forum announces its sixth graduate student conference, "Un-Music," taking place on March 7, 2009. We invite graduate student composers to interpret this topic broadly and creatively, in the form of a work for live electronics, recorded sound, solo instrument, or a combination thereof. Works will be performed throughout the day of the conference and will be closely integrated with musicological presentations. Participants will also be asked to give a brief presentation on their piece and how they feel it relates to the spirit of the conference.
Composers should submit audio or video recordings as well as a cover letter describing the relationship of their work to the conference topic. These materials must be received no later than January 16, 2009. Please also provide a detailed description of the technical requirements of your piece (an 8-channel diffusion system will be installed in the performance space.) Works should be no longer than 12 minutes, and scored for live electronics, recorded electronics, and/or one instrument/voice. An 8-channel diffusion system will be installed in the performance space. Selected composers are expected to attend the conference and perform and/or present their works. Electronic submission is preferred and materials may be sent to gmfconference [at] gmail.com . An emailed confirmation of receipt will be sent to confirm that all materials have been received. If hard copy submissions are required, please mail them to composition committee co-chair Hillary Zipper at:
Hillary Zipper
Music Building – North Yard
Harvard University
Cambridge, MA 02138
We look forward to your submissions! For more information and our corresponding Call for Papers, please visit the graduate music conference web site.
